Ephemera
Prints. Signals. Public traces.
Not every appearance happened inside history itself. Some appeared later as posters, moving images, and fragments released into the public world. These artifacts do not document the automaton’s journey directly. They document humanity’s attempt to interpret it.
Exhibition Prints
These poster studies transform historical incidents into public-facing evidence. The images treat impossible events as if they had entered the museum record: a first mistake, an apple error, and the machine’s return as myth. Between documentation and legend, the automaton begins acquiring a public identity.
Public Signals
These short moving-image pieces were created to let the story circulate beyond the museum walls. They do not explain the full mythology. They behave like fragments: a face changing, a maker appearing, an accident repeating itself through time.